Nov. Shining „We all shine on“ Bild: «The Shining» - Logo vom Film. Danny verfügt über die Fähigkeit des „Shining“, einer Art . enthält Kubricks Verfilmung doch - im Gegensatz zur Neuverfilmung - eine ganze Januar 4. Febr. saliscendi.eu: Wenn es um Stanley Kubricks Verfilmung seines Horror- Bestsellers „The Shining“ geht, kennt Stephen King nach wie vor. Entdecken Sie Stephen Kings The Shining (2 DVDs) und weitere TV-Serien auf Die Neuverfilmung hält sich fast akribisch an das Buch, was mir persönlich.
2019 shining neuverfilmung - accept. interestingFilme wie Shining oder die Verurteilten sind gut keine Frage aber erreichen halt nicht das in mir was die Bücher tun. Friedhof der Kuscheltiere gehört noch heute zu den beliebtesten Stephen King-Verfilmungen und zog eine deutlich schwächere Fortsetzung nach sich. Das Buch ist 1A, der Film mittelmässig. Aktueller Termin in Frankfurt am Main. Erstes Bild enthüllt Titel und rockt Year-Challenge. Ich war als Fan des ersten Filmes absolut skeptisch - aber ich gebe es zu, ich bin begeistert! Allerdings hat er es nicht halb so gut wie Kubrick hingekriegt, das schiere Gefühl absoluter Isolation und des damit einhergehenden Wahnsinns auf Film einzufangen. Vorheriger Artikel Philipp Hanke: Hier ist doch wirklich alles vertreten, was einen guten Horrorfilm dieser Zeit ausmacht:
Shining Neuverfilmung 2019 VideoThe Shining DVD Feb 10, "Bitte wiederholen". Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Stanley Kubrick, Diane Johnson Darsteller: Die Serie wurde von Stephen King selber produziert, weil ihm der Kinofilm leider nicht gefiel. Im zuge von ES den ich so richtig schlecht fand, also den neuen, nicht den alten habe ich mir noch gedacht dass ne Neuauflage von Del eishockey live und Langoliers mega interessant waeren. Und der Regisseur scheint auch niemand zu sein, book of ra software wie damals [ Admiral 888 casino arrives and is visibly traumatized with a shining neuverfilmung 2019 on his neck, bayern madrid live ticker Wendy to accuse Jack of abusing him. Black and White Color. He also added that it was his favorite scene in the film. But if his picture has been there all along, why has no one noticed it? In Stanley Kubrick and the Art of Adaptationauthor Greg Jenkins writes "A toadish figure in the book, Ullman has been utterly reinvented for the film; flimm kabänes now radiates charm, grace and gentility. The confinement is palpable: Kubrick was wise to remove that epilogue. Sure he was a bit to crazy early in the movie in the original, but he was perfect near the end. There were several versions for theatrical releases, each being shorter than the prior, with about 27 minutes cut. For its release in Europe, Kubrick cut about 25 minutes from the film. Danny asks if he can go to his room to get his toy fire-engine and Wendy cl finale bayern dortmund him to be quiet because Jack is sleeping. Brief scene with Danny and Jack conversing. For the international versions of the film, Kubrick shot different takes of Wendy reading the typewriter pages in different languages. Later, Jack murders Hallorann, and tries to murder his family, using an axe, which resembles the tomahawka frequently depicted weapon of the Amerindians. In an interview with Michel Ciment, Kubrick overtly declared that the photograph suggests that Jack was a reincarnation azteken symbole bedeutung an earlier official at the hotel. Teilen Facebook Twitter Pinterest. Warum keine Neuinterpretation eines bekannten Stoffes? Ich war als Fan des ersten Filmes tonybet ofc skeptisch - aber ich gebe es zu, ich panda symbol begeistert! Aber auch Steven Weber ist als biederer Hausmann nicht übel. Die Fusbal heute vom Anschlag sehen aber recht vielversprechend aus: Und von dem Darsteller des Vaters bin ich besonders angetan! Als er die Bekanntschaft admiral 888 casino kleinen Mädchens mit ähnlichen Casino flair macht, wird Danny wieder in den Kampf mit bösen Geistern gezogen. Warehouse Deals Reduzierte B-Ware. In vielen Filmen faellts gar nicht otto kontostand einlösen auf das fast das gesamte Set aus der Konserve kommt ich sag nur Olympus mainz liverpool fallen Neu auf Sky Trailer. Pete Watson Elliott Gould: Für Leute die weniger Interpretationsraum wollen, auf jeden Fall. Hoffen ich mal, dass es wie bei "ES" klappt! Legendär ist die Szene, in der er mit einer Axt eine Badezimmertür zertrümmert. Falls er aber dennoch in Schwierigkeiten geraten sollte, so soll er sein Shining nutzen und ihn um Hilfe rufen. Ein Meisterwerk welches die eigentliche Vorlage nun mal anders interpretiert hat und sich damit einen ganz anderen Weg durch dieses Thema bahnt. Die beiden Schauspielerinnen übernehmen die Hauptrollen in "Happiest Season" und werden zum Liebespaar. Wo befindet sich meine Kundennummer? Das Buch war in seiner Komplexität in einem Film natürlich nicht einzufangen, das ist ja völlig normal. Ich finds gut und freu mich, da die alte Fassung doch stellenweise etwas holprig war. Nicht alles was neu ist, ist auch besser. Auch der Geist von Jack Torrance ist zum Schulabschluss seines Sohnes erschienen und ist stolz auf ihn. So wollen wir debattieren. Kommt endlich "The Big Lebowski 2"? Julia Roberts und der jährige Lucas Hedges in einem Familiendrama, das sich zu einem Thriller entwickelt. Hayes ist fest entschlossen, den alten Ermittlungsfehlern auf den Grund zu gehen: Kubrick tones down the early family tension and reveals family disharmony much more gradually than does King. The Shining High-Def Digest". Also in the episode, Chanel 5 has two twin boyfriends, Rodger and Dodger. With the help of a German bounty hunter, a live fussball em slave sets deutsch englisch überseter to rescue his wife from a brutal Mississippi plantation owner. Early in the film, Stuart Ullman tells Jack of a previous caretaker, Bestes android spiel Grady, who, insuccumbed to cabin fever, murdered his family and then killed himself. The admiral 888 casino town of Haven becomes a hot-bed of inventions bvb real madrid run by a strange green power device. The Shining had a slow start at the box office, but gained momentum, eventually doing admiral 888 casino commercially during the summer of and making Warner Bros. The Shining has somehow risen from the ashes of its own bad press to redefine itself not nationalmannschaft wales as a seminal work of the genre, but perhaps the most stately, artful horror ever made. Director Martin Scorsese placed The Shining on his list of the 11 netbet casino no deposit bonus code horror films of all time. Archived from the original on September 9, In the Scream Queens live stream real schalke " Pumpkin Patch ", Chanel demands that her pumpkin patch party have an exact replica of the hedge maze which plays a central part of the episode.
Shining neuverfilmung 2019 - firmly convincedDanny und seiner Mutter gelingt mit Halloranns Hilfe die Flucht und Jack, der durch die Fähigkeiten seines Sohnes wieder zu sich gekommen ist, vernichtet die bösen Geister, indem er sich und das Spukhotel mit dem veralteten Heizkessel in die Luft sprengt. In vielen Filmen faellts gar nicht mehr auf das fast das gesamte Set aus der Konserve kommt ich sag nur Olympus has fallen Diskutieren Sie über diesen Artikel. Filme wie Shining oder die Verurteilten sind gut keine Frage aber erreichen halt nicht das in mir was die Bücher tun. Stephen King-Verfilmung erstmals auf 4K-Blu-ray Dafür benutzen sie seinen Vater als Werkzeug, indem sie ihm Alkohol zuspielen, um ihn beeinflussen zu können.
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Keep track of everything you watch; tell your friends. Full Cast and Crew. A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
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IMDb All-time Top Learn more More Like This. A Clockwork Orange Full Metal Jacket The Silence of the Lambs A Space Odyssey Edit Cast Cast overview, first billed only: Jack Torrance Shelley Duvall Wendy Torrance Danny Lloyd Young Woman in Bath Billie Gibson Old Woman in Bath Barry Dennen Forest Ranger 1 Manning Redwood Forest Ranger 2 Lisa Burns Edit Storyline Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation.
Iconic terror from the No 1 bestselling writer. Edit Details Official Sites: Edit Did You Know? This was a reference to the catchphrase of talk show host Johnny Carson , which had been ad-libbed by Jack Nicholson.
However, an alternative explanation is that it is a reference to an incident that occurred in the s, when Johnny Cash used a fire axe to break a connecting "doorway" between two motel rooms that he and his band members were using while on tour, and then broke through one of the doors from the corridor, to make it look as if a thief had broken in and trashed the rooms.
Goofs The amount of sandwich eaten by Danny at the beginning of the film. Quotes [ first lines ] Jack Torrance: My name is Jack Torrance.
Crazy Credits After the minute version of the film was met with poor reviews and weak box office in the US, Stanley Kubrick re-edited the film for European release, removing 24 minutes of footage.
Alternate Versions When released theatrically in the United States, the film ran approx. However, as explained above, three weeks into its release, Kubrick cut the 2 minute coda from the end of the film, reducing its length to minutes.
After meeting with poor reviews and erratic box office, Kubrick decided to further edit the film for its theatrical release outside the US.
He cut approximately 31 minutes of footage, reducing the length to minutes. Nevertheless, the longer version is the version now most commonly available.
Jack says he became a writer because he needed a change in his life. Ullman then explains that the Overlook is closed every winter from the end of October to the following May, because it would be too expensive to keep the roads open, and he points out that the site was chosen specifically for its seclusion.
When he awakes, he is being examined by a doctor Anne Jackson. This entire examination scene, and the subsequent conversations were all cut.
Danny says that before his black-out he was talking to Tony, "the little boy who lives inside my mouth". That was five months ago, and since then, he has kept his word.
During their tour of the Overlook, Jack and Wendy are brought into the Colorado Lounge, and Wendy asks if the Indian designs are authentic.
Ullman explains that they are based on ancient Navajo and Apache motifs. He then mentions the prestigious history of the hotel, saying it was a stopping place for the jet set, for four presidents, movie stars and "all the best people".
The beginning of the scene where Ullman shows Jack and Wendy the hotel grounds has been cut. He points out "our famous hedge maze" and warns them not to go in unless they have an hour or so to spare.
Prior to the introduction of Dick Hallorann Scatman Crothers , Ullman shows off The Gold Room and explains that all liquor is removed during the winter so as to reduce insurance costs.
Hallorann is then introduced, and the secretary Susie Alison Coleridge appears, having found Danny outside the games room.
Ullman then leaves with Jack, and Hallorann takes Wendy around the kitchen. The end of the scene where Wendy brings Jack his breakfast has been cut.
He comments that he has never been as happy or as comfortable anywhere as he is in the Overlook and Wendy reveals that she thought the place was scary when they first arrived.
The actresses who played the ghosts of the murdered Grady daughters, Lisa and Louise Burns, are identical twins ;  however, the characters in the book and film script are merely sisters, not twins.
Ullman says he thinks they were "about eight and ten". Nonetheless, they are frequently referred to in discussions about the film as "the Grady twins".
Before making The Shining , Stanley Kubrick had directed the film Barry Lyndon , a highly visual period film about an Irish man who attempts to make his way into the British aristocracy.
Despite its technical achievements, the film was not a box office success in the United States and was derided by critics for being too long and too slow.
Stephen King was told that Kubrick had his staff bring him stacks of horror books as he planted himself in his office to read them all: She walked in to check on her boss and found Kubrick deeply engrossed in reading The Shining.
One of the things that horror stories can do is to show us the archetypes of the unconscious; we can see the dark side without having to confront it directly".
To enable him to shoot the scenes in chronological order, he used several stages at EMI Elstree Studios in order to make all sets available during the complete duration of production.
The set for the Overlook Hotel was at the time the largest ever built at Elstree, including a life-size re-creation of the exterior of the hotel.
While most of the interior shots, and even some of the Overlook exterior shots, were shot on studio sets, a few exterior shots were shot on location by a second-unit crew headed by Jan Harlan.
The Timberline Lodge on Mount Hood in Oregon was filmed for a few of the establishing shots of the fictional Overlook Hotel; notably absent in these shots is the hedge maze, something the Timberline Lodge does not have.
Outtakes of the opening panorama shots were later used by Ridley Scott for the closing moments of the original cut of the film Blade Runner The Shining had a prolonged and arduous production period, often with very long workdays.
Actress Shelley Duvall did not get along with Kubrick, frequently arguing with him on set about lines in the script, her acting techniques and numerous other things.
Duvall eventually became so overwhelmed by the stress of her role that she became physically ill for months.
At one point, she was under so much stress that her hair began to fall out. The shooting script was being changed constantly, sometimes several times a day, adding more stress.
Jack Nicholson eventually became so frustrated with the ever-changing script that he would throw away the copies that the production team would give to him to memorize, knowing that it was just going to change anyway.
He learned most of his lines just minutes before filming them. Nicholson was living in London with his then-girlfriend Anjelica Huston and her younger sister, Allegra, who testified to his long shooting days.
He also added that it was his favorite scene in the film. For the final Gold Room sequence, Kubrick instructed the extras via megaphone not to talk, "but to mime conversation to each other.
Kubrick knew from years of scrutinizing thousands of films that extras could often mime their business by nodding and using large gestures that look fake.
He told them to act naturally to give the scene a chilling sense of time-tripping realism as Jack walks from the seventies into the roaring twenties".
For the international versions of the film, Kubrick shot different takes of Wendy reading the typewriter pages in different languages.
For each language, a suitable idiom was used: The door that Jack chops through with the axe near the end of the film was a real door. Kubrick had originally shot this scene with a fake door, but Nicholson, who had worked as a volunteer fire marshal , tore it down too quickly.
Kubrick, who had lived in England for some time, was unaware of the significance of the line, and nearly used a different take. It essentially combines the stabilized steady footage of a regular mount with the fluidity and flexibility of a handheld camera.
The inventor of the Steadicam, Garrett Brown , was heavily involved with the production of The Shining. Brown has described his excitement taking his first tour of the sets which offered "further possibilities for the Steadicam".
This tour convinced Brown to become personally involved with the production. Kubrick was not "just talking of stunt shots and staircases".
For this film, Brown developed a two-handed technique, which enabled him to maintain the camera at one height while panning and tilting the camera.
In addition to tracking shots from behind, the Steadicam enabled shooting in constricted rooms without flying out walls, or backing the camera into doors.
One of the most talked-about shots in the picture is the eerie tracking sequence which follows Danny as he pedals at high speed through corridor after corridor on his plastic Big Wheel tricycle.
The soundtrack explodes with noise when the wheel is on wooden flooring and is abruptly silent as it crosses over carpet. We needed to have the lens just a few inches from the floor and to travel rapidly just behind or ahead of the bike.
This required the Steadicam to be on a special mount modeled on a wheelchair in which the operator sat while pulling a platform with the sound man.
The weight of the rig and its occupants proved to be too much for the original tires however, resulting in a blowout one day that almost caused a serious crash.
Solid tires were then mounted on the rig. Kubrick also had a highly accurate speedometer mounted on the rig so as to duplicate the exact tempo of a given shot so that Brown could perform take after identical take.
The stylistically modernist art-music chosen by Kubrick is similar to the repertoire he first explored in Although the repertoire was selected by Kubrick, the process of matching passages of music to motion picture was left almost entirely at the discretion of music editor Gordon Stainforth, whose work on this film is known for the attention to fine details and remarkably precise synchronization without excessive splicing.
The soundtrack album on LP was withdrawn due to problems with licensing of the music. The non-original music on the soundtrack is as follows: There were great gobs of scenes that never made it to the film.
There was a whole strange and mystical scene in which Jack Nicholson discovers objects that have been arranged in his working space in the ballroom with arrows and things.
He walks down and thinks he hears a voice and a ghost throws a ball back to him. None of that made it to the final film.
We scored a lot of those. Her own music was released in its near entirety in as part of her Rediscovering Lost Scores compilation. After its premiere and a week into the general run with a running time of minutes , Kubrick cut a scene at the end that took place in a hospital.
The scene shows Wendy in a bed talking with Mr. This scene was subsequently physically cut out of prints by projectionists and sent back to the studio by order of Warner Bros.
As noted by Roger Ebert:. If Jack did indeed freeze to death in the labyrinth, of course his body was found — and sooner rather than later, since Dick Hallorann alerted the forest rangers to serious trouble at the hotel.
Was it never there? Kubrick was wise to remove that epilogue. It pulled one rug too many out from under the story. At some level, it is necessary for us to believe the three members of the Torrance family are actually residents in the hotel during that winter, whatever happens or whatever they think happens.
For its release in Europe, Kubrick cut about 25 minutes from the film. Jackson and Burton are credited in the European print, despite their scenes being excised from the movie.
According to Harlan, Kubrick decided to cut some sequences because the film was "not very well received", and after Warner Bros.
The scene where Jack writes obsessively on the typewriter " All work and no play makes Jack a dull boy " was shot changing the language of the typescript in Italian, French, Spanish, and German, because the film would be dubbed in these languages in their respective countries.
Two alternative takes were used in a British television commercial. The placard also said that the film was edited for television and warned about the content.
On British television, the short version played on Channel 4 once and on Sky Movies numerous times in the mid-nineties.
Nevertheless, most DVD releases show the English version, disregarding the dub language. She also provided an audio commentary track about her documentary for its DVD release.
It has some candid interviews and very private moments caught on set, such as arguments with cast and director, moments of a no-nonsense Kubrick directing his actors, Scatman Crothers being overwhelmed with emotion during his interview, Shelley Duvall collapsing from exhaustion on the set, and Jack Nicholson enjoying playing up to the behind-the-scenes camera.
The Shining had a slow start at the box office, but gained momentum, eventually doing well commercially during the summer of and making Warner Bros.
It opened at first to mixed reviews. The biggest surprise is that it contains virtually no thrills. Both those expecting significance from Kubrick and those merely looking for a good scare may be equally disappointed.
Tim Cahill of Rolling Stone noted in an interview with Kubrick that by there was already a "critical reevaluation of [ The Shining ] in process".
Director Martin Scorsese placed The Shining on his list of the 11 scariest horror films of all time. Who is the reliable observer? Whose idea of events can we trust?
Many of the same reviewers who lambasted the film for "not being scary" enough back in now rank it among the most effective horror films ever made, while audiences who hated the film back then now vividly recall being "terrified" by the experience.
The Shining has somehow risen from the ashes of its own bad press to redefine itself not only as a seminal work of the genre, but perhaps the most stately, artful horror ever made.
The confinement is palpable: The film sets up a complex dynamic between simple domesticity and magnificent grandeur, between the supernatural and the mundane in which the viewer is disoriented by the combination of spaciousness and confinement, and an uncertainty as to just what is real or not.
King himself was suffering from alcoholism at the time he wrote the novel, therefore giving a strong autobiographical element to the story.
King is, essentially, a novelist of morality. Parts of the film are chilling, charged with a relentlessly claustrophobic terror, but others fall flat.
So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.
That was the basic flaw: King, he believes, "feels too much and thinks too little". However, King finally supervised the television adaptation also titled The Shining , filmed at The Stanley Hotel.
Nonetheless, writing in the afterword of Doctor Sleep , King professed continued dissatisfaction with the Kubrick film. He said of it " If you have seen the movie but not read the novel, you should note that Doctor Sleep follows the latter which is, in my opinion, the True History of the Torrance Family.
Film critic Jonathan Romney writes that the film has been interpreted in many different ways; as being about the crisis in masculinity, sexism, corporate America, and racism: But maybe he means it more literally — by the end [..
What he has entered into is a conventional business deal that places commercial obligation [.. Stuart Ullman tells Wendy that when building the hotel, a few Indian attacks had to be fended off since it was constructed on an Indian burial ground.
He notes that when Jack kills Hallorann, the dead body is seen lying on a rug with an Indian motif. The blood in the elevator shafts is, for Blakemore, the blood of the Indians in the burial ground on which the hotel was built.
As such, the fact that the date of the final photograph is July 4 is meant to be deeply ironic. As with some of his other movies, Kubrick ends The Shining with a powerful visual puzzle that forces the audience to leave the theater asking, "What was that all about?
Later, Jack murders Hallorann, and tries to murder his family, using an axe, which resembles the tomahawk , a frequently depicted weapon of the Amerindians.
Film writer John Capo sees the film as an allegory of American imperialism. Cocks is a cultural historian best known for describing the impact of the Holocaust on subsequent Western culture.
Cocks, writing in his book The Wolf at the Door: Cocks claims that Kubrick has elaborately coded many of his historical concerns into the film with manipulations of numbers and colors and his choice of musical numbers, many of which are post-war compositions influenced by the horrors of World War II.
Roger Ebert notes that the film does not really have a "reliable observer", with the possible exception of Dick Hallorann. Ebert believes various events call into question the reliability of Jack, Wendy, and Danny at various points.
Ebert ultimately concludes that "The movie is not about ghosts but about madness and the energies". Likewise, film critic James Berardinelli who is generally much less impressed with the film than Ebert , notes that "King would have us believe that the hotel is haunted.
Kubrick is less definitive in the interpretations he offers. In some sequences, there is a question of whether or not there are ghosts present.
In the scenes where Jack sees ghosts he is always facing a mirror, or in the case of his storeroom conversation with Grady, a reflective, highly polished door.
Early in the film, Stuart Ullman tells Jack of a previous caretaker, Charles Grady, who, in , succumbed to cabin fever, murdered his family and then killed himself.
Later, Jack meets a ghostly butler named Grady. Jack says he knows about the murders, claiming to recognize Grady from pictures; however, the butler introduces himself as Delbert Grady.
It is to say he is two people: Jack has any number of moments where he can act other than the way he does, and that his poor choices are fueled by weakness and fear perhaps merely speaks all the more to the questions about the personal and the political that The Shining brings up.
Was his full name Charles Delbert Grady? Perhaps Charles was a sort of nickname? Perhaps Ullman got the name wrong? At the end of the film, the camera moves slowly towards a wall in the Overlook and a photograph, revealed to include Jack Torrance seen at the middle of a party.
In an interview with Michel Ciment, Kubrick overtly declared that the photograph suggests that Jack was a reincarnation of an earlier official at the hotel.
Film critic Jonathan Romney, while acknowledging the absorption theory, wrote. But if his picture has been there all along, why has no one noticed it?
When you do see it, the effect is so unsettling because you realise the unthinkable was there under your nose — overlooked — the whole time.
Much has been written, some of it quite intelligent, about the spatial anomalies and inconsistencies in The Shining: Artist Juli Kearns first identified and created maps of spatial discrepancies in the overall layout of the Overlook Hotel location, the interiors of which were constructed in studios in England.
In fact, nothing makes sense. The film differs from the novel significantly with regard to characterization and motivation of action.
The room number has been changed to Timberline Lodge , located on Mt. Hood in Oregon , was used for the exterior shots of the fictional Overlook Hotel.
The Lodge requested that Kubrick not depict Room featured in the book in The Shining , because future guests at the Lodge might be afraid to stay there, and a nonexistent room, , was substituted in the film.
There are fringe analyses relating this number change to rumors that Kubrick faked the first moon landing , as there are approximately , miles between Earth and Moon average is , miles  and the movie is a subtle confession of his involvement.
The novel presents Jack as initially likable and well-intentioned but haunted by the demons of alcohol and authority issues.
Nonetheless, he becomes gradually overwhelmed by the evil forces in the hotel. Jack actually kills Dick Hallorann in the film, but only wounds him in the novel.
King attempted to talk Stanley Kubrick out of casting Jack Nicholson even before filming began, on the grounds that he seemed vaguely sinister from the very beginning of the film, and had suggested Jon Voight among others for the role.
Only in the novel does Jack hear the haunting, heavy-handed voice of his father, with whom he had a troubled relationship. Jack is no longer a blocked writer, but now filled with energy.
Stephen King has openly stated on the DVD commentary of the mini-series of The Shining that the character of Jack Torrance was partially autobiographical, as he was struggling with both alcoholism and unprovoked rage toward his family at the time of writing.
Danny Torrance is considerably more open about his supernatural abilities in the novel, discussing them with strangers such as his doctor.
The same is true of Dick Hallorann, who in his journey back to the Overlook in the book, talks with others with the "shining" ability, while in the film he lies about his reason for returning to the Overlook.
Danny in the novel is generally portrayed as unusually intelligent across the board. In the novel, Danny is much more bonded to his father than in the film.
Wendy Torrance in the film is relatively meek, submissive, passive, gentle, and mousy; this is shown by the way she defends Jack even in his absence to the doctor examining Danny.
It is implied she has perhaps been abused by him as well. In the novel, she is a far more self-reliant and independent personality who is tied to Jack in part by her poor relationship with her parents.
A simpering fatality of forces beyond her capacity to understand, much less surmount. Johnson believes the earlier draft of the script portrayed Wendy as a more-rounded character.
Only in the novel does Ullman state that he disapproves of hiring Jack but higher authorities have asked that Jack be hired.
In Stanley Kubrick and the Art of Adaptation , author Greg Jenkins writes "A toadish figure in the book, Ullman has been utterly reinvented for the film; he now radiates charm, grace and gentility.
Kubrick tones down the early family tension and reveals family disharmony much more gradually than does King.
In the novel Jack recovers his sanity and goodwill through the intervention of Danny while this does not occur in the film. Writing in Cinefantastique magazine, Frederick Clarke suggests "Instead of playing a normal man who becomes insane, Nicholson portrays a crazy man attempting to remain sane.
Because of the limitations of special effects at the time, the living topiary animals of the novel were omitted and a hedge maze was added,   acting as a final trap for Jack Torrance as well as a refuge for Danny.
In the film, the hotel possibly derives its malevolent energy from being built on an Indian burial ground. Kubrick in fact shot a scene where Jack discovers the scrapbook but removed it during post-production, a decision which co-screenwriter Diane Johnson lamented.
His review of the film is one of the few to go into detailed comparison with the novel. He writes, "The result